Corrosive signs essays in experimental poetry
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American Book Review :: Vol. 13, Number 6
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An Introduction to Gwendolyn Brooks
Google Scholar. Bruns, G.
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Feedback Please let us know what you think of our products and services. Give Feedback. Get Information. This is a short fragmentary history of fragmentary writing from the German Romantics F. Such writing is often deliberately a critique of the logic of subsumption that tries to assimilate whatever is singular and irreducible into totalities of various categorical or systematic sorts. Juxtaposition and interruption here assume [ de chargent ici ] an extraordinary force of justice.
On the one hand, there are ruins, citations, aphorisms, epigrams, paradoxes, remarks Bemerkungen , notes, lists, sketches, marginalia, parentheticals, conversations, dangling participles…. On the other, there is the objectivist tradition of romantic poetics that comes down to us from among others Friedrich Schlegel — , for whom writing is less the work of an expressive subject than an arrangement of words that cannot be contained within any genre description, or indeed within any binary relation, whether between subject and object, part and whole, identity and difference, digit and system, beginning and end….
Many of the works of ancients have become fragments. Many modern works [ der Neuern ] are fragments as soon as they are written.
Corrosive Signs: Essays on Experimental Poetry (Visual, Concrete, Alternative)
According to the way many philosophers think, a regiment of soldiers on parade is a system. Formal logic and empirical psychology have become philosophical grotesques. Imagine incompletion as a desired state of discursive affairs. Almost : no longer, not yet: the entretemps — meanwhile or between —that leaves everything open, as in the white space of a page that interrupts the consecutiveness of such things as sentences, propositions, judgments, arguments, narratives….
Reasoning putting things together, adding them up : its adversary has always been the anomaly In this sort of irony, everything should be playful and serious, guilelessly open and deeply hidden. It originates in the union of savoir vivre and scientific spirit, in the conjunction of a perfectly instinctive and perfectly conscious philosophy. It contains and arouses a feeling of indissoluble antagonism between the absolute and the relative, between the impossibility and the necessity of complete communication…. Defiance of laws is perhaps a condition of fragmentary writing.
However, the chief point is that a fragment, whatever its internal arrangement, is not part of any hermeneutical circle, which is, after all, made of links rather than breaks.
Think of it the fragment as a freak or vagrant, or as part of an amorphous collection of pieces that are not attached to one another as in a Riemann space [ 10 ]. Following Adorno, one could think of the fragment as indeed Maurice Blanchot thinks of it as the achievement of an aesthetics of freedom [ 15 ]. In the state between being and non-being, however, the possible becomes real everywhere, and the real becomes ideal, and in the free imitation of art [ der freien Kunstnachahmung ] this is a frightful yet divine dream.
In the perspective of ideal recollection, then, dissolution as a necessity becomes as such the ideal object of the newly developed life, a glance back on the path that had to be taken, from the beginning of dissolution up to that moment when, in the new life, there can occur a recollection of the dissolved and thus, as explanation and union of the gap and the contrast occurring between past and present, there can occur the recollection of dissolution. This idealistic dissolution is fearless. Language free of syntax: demilitarization of language.
Ancient Chinese: Full words: words free of specific function.
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Noun is verbs is adjective, adverb. What can be done with the English language? Use it as material. Publisher: Maisonneuve Press , This specific ISBN edition is currently not available. View all copies of this ISBN edition:. Synopsis About this title Poems based on sight and sound, video and performance, politics and street action? Buy New Learn more about this copy. Customers who bought this item also bought. Stock Image. Published by Brand: Maisonneuve Pres New Paperback Quantity Available: 1. Seller Rating:. Published by Maisonneuve Pres Published by Maisonneuve Pr